Education
| 1972 | M.F.A. University of Wisconsin, Madison |
| 1967-1968 | Graduate studies, University of Massachusetts, Amherst |
| 1966 | B.S. Art Ed. SUNY at Buffalo State, New York |
Professional Experience
| 1972- | Studio Artist |
| 1984 | Artist Editions: Limited Edition, issued 1986, Kohler Co. WI |
| 1980 | Visiting Faculty, Scripps College, Claremont, CA |
| 1976 & 1979 | Visiting Artist, Artist in Industry Program at Kohler Co. |
| 1976 & l978 | Lecturer, Art Dept. University of Wisconsin, Madison |
| 1977 | Visiting Artist, Ohio State University, Columbus, Ohio |
| 1972-l977 | Visiting Assistant Professor of Art, Beloit College, Wisconsin |
Grants & Awards
| 2003 | Santa Cruz County Artist of Year |
| 1987 | The Guild American Crafts Merit Award, Kraus Sikes Inc. New York |
| 1977 | National Endowment for Arts Fellowship Grant |
| 1976 | Wisconsin Arts Board Grant |
Public & Institution Collections
| Arizona State University, Tempe, Arizona |
| Beloit College, Beloit, Wisconsin |
| Chazen Museum of Art, Madison Wisconsin |
| Columbus Gallery of Fine Arts, Columbus, Ohio |
| Crocker Museum of Art, Sacramento, California |
| Decorative Arts Museum, Little Rock, Arkansas |
| John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| Kansas University, Lawrence, Kansas |
| Madison Art Center, Madison, Wisconsin |
| Michigan State University, East Lansing, Michigan |
| Milwaukee Art Museum, Milwaukee, Wisconsin |
| Mingei International Museum, San Diego, California |
| Museum of Art and History, Santa Cruz County, California |
| Northern Arizona University, Flagstaff, Arizona |
| J. Orton, Jr. Ceramic Foundation, Columbus, Ohio |
| Plains Art Museum, Morehead, Minnesota |
| Racine Art Museum, Racine, Wisconsin |
| Renwick Gallery, Smithsonian Institution, Washington, D.C. |
| Topeka & Shawnee Co. Public Library Collection |
| University of Wisconsin, Madison, Wisconsin |
Private Collections
| Dr. Robert and Louise Arnold, Texas |
| Diane and Sandy Besser, Santa Fe, New Mexico |
| Karen Johnson Boyd, Racine, Wisconsin |
| Gail M. Brown, Santa Fe, New Mexico |
| Paul & Sharon Dauer, Sacramento, California |
| Candice Groot, Chicago, Illinois |
| Sonny & Gloria Kamm, Encino, California |
| Kohler Company Collection, Kohler, Wisconsin |
| Ruth Kohler, Sheboygan, Wisconsin |
| Jack Lenor Larsen, New York, New York |
| Lois Moran, New York |
| Arthur Williams, New York, New York |
Solo Exhibitions
| 2005 | Real and Implied Space, exploding head gallery, Sacramento, California |
| 2003 | Artist of the Year Exhibition, County Government Center, Santa Cruz, California |
| 2001 | Perimeter Gallery, Chicago, Illinois |
| Pence Gallery, Davis, California | |
| 1995 | Pattern and Form, Porter College, University of California, Santa Cruz |
| 1992 | New Work, Winfield Gallery, Carmel, California |
| 1984 | Canyon Arts Gallery, Santa Cruz, California |
| 1980 | Synopsis Gallery, Winnetka, Illinois |
| Rochester Art Center, Rochester, Minnesota | |
| 1979 | Michigan State University, East Lansing, Michigan |
| Gallery Eight, La Jolla, California | |
| 1978 | Sun Valley Center for the Arts & Humanities, Sun Valley, Idaho |
| 1977 | Synopsis Gallery, Winnetka, Illinois |
| 1975 | Beloit College, Beloit, Wisconsin |
| 1973 | University of Wisconsin, Stevens Point, Wisconsin |
Two Person Exhibitions
| 2003 | Karen Thuesen Massaro and Kazuko Mathews, Gallery Eight, La Jolla, California. |
| 2000 | A Survey: Two Artists in Mid Career, Karen Thuesen Massaro & Joel Leivick,Museum of Art and History, Santa Cruz, California |
| 1989 | Massaro & Kuentzel, Viewpont Gallery, Carmel, California |
| 1984 | Massaro & Kuentzel, Rocklands Gallery, Monterey, California |
| 1981 | Dorothy Hafner and Karen T. Massaro, Objects Gallery, San Antonio, Texas |
| 1977 | Massaro and Kruger, Ohio State University, Columbus, Ohio |
Group Exhibitions invitational unless jury noted
| 2015 | Travels Through Light and Time, Mobilia Gallery, Cambridge, Massachusetts |
| La Mesa, Santa Fe Clay at NCECA conference sites and Santa Fe Clay, New Mexico annually since 2009 | |
| 2014 | Craft Forms 2014, Wayne Art Center, Wayne, Pennsylvania, juried |
| Arts/Industry: Collaboration and Revelation, John Michael Kohler Arts Center, Sheboygan, Wisconsin | |
| Arts/Industry: At and After the Factory, Artspace at John Michael Kohler Arts Center | |
| Old Hands In Clay, University of Wisconsin-Parkside Galleries, Kenosha, Wisconsin | |
| Paoli Family Clay Exhibition, Milwaukee, Wisconsin | |
| Embellished Surface: Image and Pattern on Clay, Robert T. Wright Gallery of Art,College of Lake County, Grayslake, Illinois | |
| Louder Than Words, Facere Jewelry Art Gallery, Seattle, Washington | |
| 2013 | Objects of Status, Power & Adornment II, Mobilia Gallery, Cambridge, MA |
| Contemporary Art Jewelry Exhibition and Sale, Norton Museum of Art, West Palm Beach, Florida | |
| Duets, Clay Art Center, Port Chester, New York | |
| 2012 | A Feast of Beads: Ceramic Jewelry, curator, Gail M. Brown, Facere Jewelry Art Gallery, Seattle, WA |
| Handle with Care, Santa Fe Clay New Mexico | |
| 2011 | Alchemy: From Dust to Form, Samuel P. Harn Museum of Art, Univ. Florida,Gainesville, Florida juried |
| Small Sculptures, Santa Fe Clay, New Mexico | |
| Not so Still Life, Racine Art Museum, Racine, Wisconsin | |
| 2009 | Spoon It! Fork It! Cut It Up! Baltimore Clayworks, Maryland, curator: Gail M. Brown |
| NCECA Clay National 2009 Biennial Exhibition, juried | |
| Abstraction, Santa Fe Clay, New Mexico | |
| Under Cover, Clay Art Center, Port Chester, New York | |
| Contemporary Studio Ceramics: The Dauer Collection, Sacramento State University, CA | |
| 2008 | Tercet, Bryan Hopkins, Karen Thuesen Massaro, Anat Shiftan, Anelle Gandelman Fine Art, Larchmont, New York |
| SOFA Exposition, Chicago, Represented by Perimeter Gallery as in 2006, 2004, 2003, 2002, 2001, 1994 | |
| 2007 | NCECA Clay National Biennial Exhibition, jurors’ pick |
| 2006 | PEPPER-and-SALT…, An Extravagance of Ceramic Pairs, Baltimore Clayworks, Baltimore, Maryland, curator: Gail Brown |
| Then & Now, Museum of Art and History, Santa Cruz, California | |
| 2005 | Tony Marsh, Karen Thuesen Massaro, Harrison McIntosh, Frank Lloyd Gallery, Santa Monica, CA |
| White, Santa Fe Clay, Santa Fe, New Mexico | |
| Magnificent Extravagance: Artists and Opulence, Racine Art Museum, WI | |
| Clay on the Wall: 2005 Clay National, Texas Tech University, School of Art-Landmark Arts, Lubbuck, Texas, juried third prize | |
| From Tiles to Totems: A Century of Northern California Ceramicscurated by Nancy Servis, The Art Foundry, Sacramento CA | |
| 2004 | Form Follows Function, Lillstreet Gallery, Chicago, Illinois, juried third prize |
| Power of Pottery Invitational Exhibition, Dunedin Fine Art Center, Dunedin, Florida | |
| Fabrication, Bruce Gallery of Art, Edinboro University of Pennsylvania, Edinboro, PA | |
| 34th Annual Ceramics Exhibition, Crossman Gallery, Univ. of Wisconsin-Whitewater | |
| 2003 | 21st Century Ceramics in the United States and Canada, curator: Bill Hunt,Columbus College of Art and Design, Ohio |
| Revealing Influences: Conversations with Bay Area Artists, Museum of Craft & Folk Art, San Francisco | |
| Planting, Potting & Pruning: Artists and the Cultivated Landscape, Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin | |
| Emergence: Women Artists in New Millennium, Northern Indiana Arts Association, W.J. Bachman Gallery, Center for Visual and Performing Arts, Munster, Indiana | |
| SOFA, New York, Rep. by Sherry Leedy Gallery of Contemporary Art, Kansas City | |
| 2002 | Summer 2002, Sherry Leedy Gallery of Contemporary Art, Kansas City, Missouri. |
| Sidney Myer Fund International Ceramics Exhibition & Competition, Shepparton ArtGallery, Shepparton, Australia | |
| 2001 | Viewpoint: Ceramics 2001, Grossmont College Hyde Gallery, El Cajon, CA, juried first prize |
| Taking Measure: American Ceramic Art at New Millennium, World Ceramic Exposition 2001, Yeoju, Korea, curated by NCECA | |
| Telling Tales, Craft Alliance, St. Louis, Missouri, curator: Gail Brown | |
| 2000 | Focus on Function, National Ceramics Biennial 2000, Univ. of Minnesota, MN juried |
| Craft Forms 2000, Wayne Art Center, Wayne, Pennsylvania juried | |
| 1999 | USA Craft Today 99, Silvermine Guild, New Canaan, Connecticut juried |
| 1998 | Strictly Functional National, Market House Craft Center, Ephrata, PA juried |
| Artists Address Clothing & Self Adornment, Wustum Museum of Fine Arts, Racine, WI | |
| Tea Bowl Invitational, Craft & Folk Art Museum, San Francisco, California | |
| 1997 | NCECA Ceramic National, Las Vegas, Nevada juried |
| Food Glorious Food: Artists and Eating, Wustum Museum of Fine Arts, Racine, WI | |
| The Common Object, California College of Arts and Crafts, Oakland, California | |
| Teapot Invitational, Dorothy Weiss Gallery, San Francisco, California | |
| 1996 | Just Add Water: Artists & the Aqueous World, Wustum Museum of Fine Arts, Racine, WI |
| Ten Outstanding Women Ceramists, University of Wisconsin, Eau Claire, Wisconsin | |
| 1995 | 1995 Monarch National Ceramic Competition, Kennedy-Douglas Center for Arts,Florence, Alabama juried |
| 1994 | Massaro, Blackburn, Abright, Visiting Artists’ Exhibition, Butte College, Oroville, CA |
| Anniversary Exhibition, Craft Alliance Gallery, St. Louis, Missouri | |
| Table Top Exhibition, Gallery Eight, La Jolla, California | |
| A Discerning Passion, Forum for the Visual Arts, Texas Tech University, Lubbock, Texas | |
| 1993 | Soup Tureens ’93, Helen Drutt Gallery, Philadelphia, Pennsylvania |
| NCECA Clay National, San Diego Museum of Art, traveling 1993-1995 juried | |
| Contemporary American Ceramics 1993, Gallery Eight, La Jolla, California | |
| Monterey Bay Ceramics, Monterey Peninsula Museum of Art, Monterey California | |
| Summer Exhibition, Nancy Margolis Gallery, Portland, Maine | |
| Black and White, Craft Alliance, St. Louis, Missouri | |
| New Art Forms Exposition, Chicago, Represented by Perimeter Gallery (& 1988, 87, 86) | |
| 1992 | Group Exhibit, Gallery Eight, La Jolla, California |
| 1991 | The Pitcher, The Farrell Collection, Washington, D.C. |
| Minnesota Metaphor, Rochester Art Center, Rochester, Minnesota | |
| Group Exhibit, Joanne Rapp/The Hand & The Spirit Gallery, Scottsdale, Arizona, | |
| 1990 | Art That Works, Art Services International, curator: Lloyd Herman, On Tour l990-93 |
| 1989 | Clay AZ Art XV-International Conference Exhibition, Northern Arizona Univ. Flagstaff |
| Group Exhibit, Baker University, Lawrence, Kansas | |
| Group Exhibit, Media Gallery Enterprises, Kansas City, Kansas | |
| Group Exhibit, Gallery Eight, La Jolla, California | |
| 1988 | Wichita National, Kansas: Honorable Mention & Patron Purchase juried |
| Mixed Greens, Pajaro Valley Art Gallery, Watsonville, California | |
| Group Exhibit, Detroit Gallery of Contemporary Crafts, Michigan | |
| 1987 | Porcelain Today, Wita Gardiner Gallery, San Diego, California |
| Contemporary Teapots 200, Springfield Art Association, Springfield, Illinois | |
| 1986 | The Art of Function, Meredith Gallery, Baltimore, Maryland |
| 40th Birthday Exhibition, Rochester Art Center, Minnesota | |
| Bowl Invitational, Contemporary Crafts Gallery, Louisville, Kentucky | |
| 1985 | Cups (drawings) The Hand and the Spirit Gallery, Scottsdale, Arizona |
| Everyday and Sunday, John Michael Kohler Arts Center, Sheboygan, Wisconsin | |
| 40th Ceramic Annual, Scripps College, Claremont, California | |
| 1984 | The Cup Invitational, Martha Schneider Gallery, Highland Park, Illinois |
| 1983 | Cups and Saucers, By Design, Minneapolis, Minnesota |
| Porcelain Invitational, Gail Chase Gallery, Bellevue, Washington | |
| 1982 | American Porcelain, The Hand and the Spirit Gallery, Scottsdale, Arizona |
| Porcelain Exhibition, Gallery Eight, La Jolla, California | |
| 1981 | Porcelain: Tradition & New Visions, Cooper Lynn Gallery, New York |
| Porcelain Exhibition, Gallery Eight, La Jolla, California | |
| 1980 | American Porcelain, Renwick Gallery, Smithsonian Institution, Washington, D.C. |
| Place Settings, Mandell Gallery, Los Angeles, California | |
| Poetic Imagery, The Elements Gallery, New York, NY | |
| 1979 | Pieces of Eight, John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| NCECA Conference Exhibition, University of Michigan, Ann Arbor, Michigan | |
| Clay, Fiber, Metal, Southeastern Massachusetts University, Dartmouth, Massachusetts | |
| Function: Non-Function, Towson State University, Baltimore, Maryland | |
| Wisconsin Sculpture Invitational, Wustum Museum, Racine, Wisconsin | |
| Illusions, Summit Art Center, Summit, New Jersey | |
| Ceramic Invitational, Pratt Manhattan Center & Pratt Institute, New York | |
| Red River Annual, Plains Art Museum, Moorhead, MN, Honorable Mention, Purchase Prize | |
| White Clay, Western Michigan University, Kalamazoo, Michigan | |
| 1978 | Group Show, Nina Freudenheim Gallery, Buffalo, New York |
| Clay From Molds, John Michael Kohler Arts Center, Sheboygan, Wisconsin | |
| American Chairs II, John Michael Kohler Arts Center | |
| Clay, Fiber, Metal by Women, Bronx Museum, New York | |
| Wisconsin Directions 2, Milwaukee Art Museum, Milwaukee, Wisconsin | |
| 1977 | 8 Artists in Industry, John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| Beaux Art Designer Craftsman’77, Columbus Gallery of Fine Arts, Columbus, Ohio juried | |
| 1976 | Porcelain Exhibition, Kaplan-Bauman Gallery, Los Angeles, California |
| 7 For 76, Paul Sargent Art Gallery, Charleston, Illinois | |
| Fifty Americans, NCECA Conference Exhibit, Baton Rouge, Louisiana | |
| 32nd Ceramic Annual, Scripps College, Claremont, California | |
| 1974 | Extraordinary Vehicles, John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| 1973 | The Plastic Earth, John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| 1972 | 22nd National Ceramic Exhibition, Wichita, Kansas juried |
| 51st Exhibition of Wisconsin Crafts, Milwaukee Art Center, Wisconsin, Purchase prize juried | |
| Beaux Arts Designer/Craftsman ’72 Columbus Gallery of Fine Arts, OhioBest in Ceramics Award, Outstanding Wisconsin Craftsman Award juried | |
| 24th Annual Ohio Ceramic and Sculpture Show, Butler Institute, Ohio juried | |
| 1971 | Great Lakes Ceramic Show, Wisconsin State Univ. Platteville, Wisconsin |
| 43rd Annual Student Art Show, University of Wisconsin, Purchase prize juried | |
| 23rd Annual Ohio Ceramic and Sculpture Show, Butler Institute, Ohio juried | |
| 1970 | Cerritos Ceramic Annual ’70, Los Angeles, California juried |
| 1968 | Pacific Dimensions, California Crafts IV, Sacramento, California juried |
| 12th Annual National Exhibition, Fall River, Massachusetts juried | |
| 1967 | Annual Exhibition, Massachusetts Assoc. of Craftsmen, Boston, MA juried |
Books: articles and images
| 2014 | Arts/Industry: collaboration and revelation, John Michael Kohler Arts Center: 18, 22, 23-24, 25-26, 33, 88, 108-10 |
| 1,000 Beads, ed. Julie Hale, Lark Crafts, Sterling Publishing Co: 61, 144, 300 | |
| 2012 | The Craft and Art of Clay, by Susan Peterson and Jan Peterson, Fifth Edition, Laurence KingPublishing, London: frontpiece |
| 2008 | The Japanese Tea Ceremony by A.L. Sadler, Charles E.Tuttle Co: forward illustrations |
| 2004 | Electric Kiln Ceramics by Richard Zakin, 3rd edition Krause Publications: 178, 179 |
| Making Marks… by Robin Hopper, Krause Publications: 271 | |
| 2003 | The Craft and Art of Clay, by Susan Peterson, Fourth Edition, Overlook Press, NY: frontpiece |
| 21st Century Ceramics in the United States and Canada, ed. Bill Hunt,The American Ceramics Society: 131 | |
| Ceramics: A Potter’s Handbook by Glenn Nelson and Richard Burkett, Harcourt Brace | |
| 2002 | 1998, 1996 Working with Clay by Susan Peterson, Overlook Press 1998:178, 179 |
| The Art of Contemporary American Pottery by Kevin A. Hluch,Krause Pub: 30, 119 | |
| 2000 | Functional Pottery, Form and Aesthetic in Pots of Purpose by Robin Hopper, 2nded.Kraus:168 |
| The Contemporary Potter, Rockport Publishers: 148, 130 | |
| 1998 | Best of Pottery Vol. 2, ed. A Fina, C Gustin, Rockport Pub: 4, 59, 72 |
| Electric Kiln Ceramics, by Richard Zakin, 2nd ed. Krause: | |
| 1996 | Best of Pottery Vol. I, ed. J. Fairbanks, A. Fina, Rockport Pub: 83 |
| 1992 | Mold-making for Ceramics, by Don Frith, 2nd ed. Krause Pub: back overleaf |
| Sculpting Clay, by Leon Nigrosh, Davis Pub. MA: 121 | |
| 1990 | Ceramics: Mastering the Craft, by Richard Zakin, Chilton: 24-25 |
| Art that Works, by Lloyd Herman, University of Washington Press: 22, 23, 113 | |
| 1985 | Electric Kiln Ceramics, by Richard Zakin, 1st ed. Chilton Book Co: 81,187,190 |
| Mold-making for Ceramics, by Don Frith, 1st ed. Book Co: 81, 187 | |
| 1981 | Porcelain Traditions and New Visions, by Jan Axel & Karen McCready,Watson Guptil: 167, 173, 174 |
| 1980 | American Porcelain: New Expressions in Ancient Art by Lloyd Herman, Timber Press |
| 1979 | Low-Fire, by Leon Nigrosh, Davis Pub: 70, color 5 |
| Ceramica, by Nino Caruso, Hoepli, Milano, Italy: 86, 104 | |
| American Ceramics: the Studio Potter, by Paul Donhauser, Kendall Hunt Pub: 189 |
Journals: articles and images
| 2012 | Ornament, 35.4:30-31 |
| 2009 | Clay Times, July/August 2009, NCECA 2009 Clay Biennial:33 |
| 2009 | NCECA Clay National Biennial Catalogue 2009:33, 2007:52, 1997:33, 1993:24 |
| 2005 | Ceramics Technical, No. 21, 2005:65, 68 |
| 2003 | Ceramic Art, Taipei, Taiwan profile by Lin chen-long Spring 2003: 70-72 |
| 2003 | “Revealing Influences: conversations with Bay Area Artists, A Report, Museum of Craft & Folk Art, San Francisco, Vol.19, No.3 & No. 4/2003: 5 |
| 1994 | National Council for Education in the Ceramic Arts (NCECA) Journal |
| 2014-1972 | Ceramics Monthly, 2/2014, 10/2005: 146, 12/2003: 52-53, 10/2003: 14, Karen Thuesen Massaro 9/2000: 50-54, cover, 5/l990, 8/l987, 2/1984, 10/1979, 1/1978, 6/1972 |
| 2003-1972 | American Craft, Real/Surreal, the Ceramics of Karen Thuesen Massaro by Chiori Santiago, June/July 2000: 38-41, June/July 2003:14, featured artist, 12/1997, 10/96, 4/95, 12/1992, Dec/Jan l988 Portfolio Section, 4/l982, 6/1972 |
Writing by Massaro
| 2014 | Massaro Essay on Arts/Industry program, Kohler Co. John Michael Kohler Arts Center publication in press |
| 2011 | “Big Creek Pottery.” Ceramics Monthly 4/2011: 48-52 |
| 2008 | “Profiles, Karen Thuesen Massaro.” New Ceramics, Germany, Vol. 6,Nov./Dec., 2008: 13-15 |
| “A Potter’s Throwing Rib.” Studio Potter, V36, N2 Summer/Fall 2008: 92 | |
| 2007 | “Naming My Work” Studio Potter, V35, N2 Summer/Fall 2007: 54-56 |
| 2003 | 21st Century Ceramics in United States & Canada, edited by Bill Hunt,American Ceramic Society: 252-253 |
| 2000 | “Behind Every Woman a Woman….” NCECA conference Journal: 94-100 |
| 1997 | “Time And Place: Fifty Years of Santa Cruz Studio Ceramics.” The Museum of Art and History, Santa Cruz, CA. Catalogue essay: 27-43 |
| 1997 | “Santa Cruz Clay.” Ceramics Monthly 9/1997: 65-70 |
Workshops/Lectures
| 2013 | Ceramic Sculpture: Integrating Form, Surface, and Content, Cabrillo Arts Summer WorkshopCabrillo College, Aptos, California |
| 2011 | Public Presentations and DVD interview with Bruce and Marcia McDougal for Big Creek Pottery 1967-1983 exhibition, Museum of Art & History, Santa Cruz, CA |
| Big Creek Pottery 1967-1983 exhibition, Museum of Art & History, Santa Cruz, CA | |
| 2009 | Potters as Sculptors, Sculptors as Potters, Northern Arizona University, Flagstaff, AZ |
| Allan Hancock College, Santa Maria, California | |
| 2006 | ClayScapes: National Potters Council Conference, Sunnyvale, Ca |
| San Diego State University, San Diego, California | |
| 2003 | Exploring the Intersection of Craft, Folk Art and Contemporary Craft, panelist |
| Museum of Craft and Folk Art, San Francisco, California | |
| Profile Performance, Santa Cruz County Government Center, California | |
| 2002 | Santa Barbara Museum of Art, Santa Barbara, California |
| 2001 | 12th California Conference the Advancement of Ceramic Art, Davis, CA |
| Grossmont College, El Cajon, California | |
| 2000 | Museum of Art and History, Santa Cruz, California |
| University of Arizona, Tucson, AZ | |
| NCECA (National Council for Education in Ceramic Arts) convention, Denver, CO | |
| 1997 | University of Oregon, Eugene, Oregon |
| Golden Gate Collectors Club, San Francisco, California | |
| Museum of Art and History, Santa Cruz, California | |
| Private Lecture Series, Aptos, California | |
| 1996 | University of Wisconsin, Madison, Wisconsin |
| University of Wisconsin, Eau Claire, Wisconsin | |
| 1995 | UCSC, Extension course |
| 1994 | Butte College, Oroville, California |
| 1992 | Mendocino Arts Center, Mendocino, California |
| 1982 | San Antonio Museum of Art, San Antonio, Texas |
| 1981 | Miami-Dade Community College, Miami, Florida |
| 1980 | Arizona State University, Tempe, Arizona |
| Craft and Folk Museum, Los Angeles, California | |
| Lill Street Studios, Chicago, Illinois | |
| 1979 | Northern Illinois University, Dekalb, Illinois |
| California College of Arts and Crafts, Oakland, California | |
| 1978 | Peters Valley, Layton, New Jersey |
| Sun Valley Center for Arts, Sun Valley, Idaho. two week workshop | |
| 1977 | Pennsylvania State University, State College, Pennsylvania. three person workshop |
| University of Illinois, Champaign, Illinois | |
| 1976 | University of Northern Iowa, Cedar Falls, Iowa |
| N.C.E.C.A. Conference panel member, “Away from Wheel” Baton Rouge, LA | |
| 1975 | Miami-Dade Community College South, Miami, Florida |
| Florida International University, Miami, Florida | |
| ACC North Central Region Conf. Ceramic Workshop together with Jack Earl and Tom La Douse. John Michael Kohler Arts Center, Sheboygan, Wisconsin | |
| University of Indiana, Bloomington, Indiana | |
| 1974 | Purdue University, Lafayette, Indiana |
Guest Curator
| 2011 | Big Creek Pottery, 1967-1983, Solari Gallery, Museum of Art & History, Santa Cruz, CA |
| 1997 | Time And Place: Fifty Years of Santa Cruz Studio Ceramics, Solari Gallery, The Museum of Art and History, Santa Cruz, California |
Professional and Community Service
| 2000-2013 | Collections Management Committee, Museum of Art & History, Santa Cruz, California |
| 2000-2001 | Public Art Committee, City of Santa Cruz, California |
| 1978-1980 | National Council for Education in Ceramic Arts, Board of Directors |